DANCE / NOT DANCE:

dc.contributor.authorArmstrong, Jacinte
dc.date.accessioned2025-09-29T16:56:58Z
dc.date.available2025-09-29T16:56:58Z
dc.date.issued2020
dc.description.abstractDance is a kinetic, communal, expressive, and body-based art form. Yet, in 2020, contemporary choreography maintains a tendency towards alienating audiences through its combination of movement, subject matter, and presentation style removed from everyday experience. Collective action, affective environments, non-verbal communication, rhythm, momentum, musicality, and connection to the physical world are all facets of dance practice that have relevance to contemporary living, yet are often excluded from the public experience of dance. As we face increasingly virtualized relationships, opportunities for embodied and real-time connections are necessary to ground our thinking and actions in knowledge and care. My work intends to bring to the foreground aspects of the dance/choreography tradition that are embedded in the training and practice, but that don’t always make it to the stage; sharing them with audiences to bring forward these neglected aspects, that I think are vital for our contemporary condition.
dc.description.noteDissertation/Thesis
dc.format.extent36 pages
dc.format.mediumprint
dc.identifierlocal:
dc.identifier.othernscad:9504
dc.identifier.urihttps://hdl.handle.net/20.500.14663/1542
dc.languageeng
dc.language.isoiso639-2b
dc.rightsItems in the NSCAD repository are protected by copyright and made available for research and private study use only.
dc.subjectPerformance art
dc.subjectPerformance art------
dc.subjectDance
dc.subjectDance------
dc.subjectArt and Dance
dc.subjectArt and Dance------
dc.subjectInteractive art
dc.subjectInteractive art------
dc.subjectMovement, Notation of
dc.subjectMovement, Notation of------
dc.titleDANCE / NOT DANCE:
dc.typeText
thesis.degree.nameMaster of Fine Arts

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